On Writing Well


Since its first publication in 1976, On Writing Well by William Zinsser has become a classic guide on writing nonfiction. It has sold millions of copies and still is the number one book on writing nonfiction.
According to New York Times, “On Writing Well is a bible for a generation of writers looking for clues to clean, compelling prose.”
The book has four parts in addition to an introduction, a bibliography and an index. The first part—Principles—contains seven chapters and deals with important aspects of writing like how to write clear, simple, and concise prose, the need and importance of reviewing, editing, and rewriting, how to avoid clutter, the importance of mastering the fundamentals, how to identify your audience and write for them, how to find the right words and where to find them, and so on. This section contains one of the most useful advices of this book:
The point is that you have to strip your writing down before you can build it back up. You must know what the essential tools are and what job they were designed to do. Extending the metaphor of carpentry, it’s first necessary to be able to saw wood neatly and to drive nails. Later you can bevel the edges or add elegant finials, if that’s your taste. But you can never forget that you are practicing a craft that’s based on certain principles. If the nails are weak, your house will collapse. If your verbs are weak and your syntax is rickety, your sentences will fall apart.
I’ll admit that certain nonfiction writers, like Tom Wolfe and Norman Mailer, have built some remarkable houses. But these are writers who spent years learning their craft, and when at last they raised their fanciful turrets and hanging gardens, to the surprise of all of us who never dreamed of such ornamentation, they knew what they were doing. Nobody becomes Tom Wolfe overnight, not even Tom Wolfe.
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